To the general public 
	Historically Black College football may have been a term they had heard but 
	had little actual knowledge of until the mid to late-1960’s. By then it was 
	obvious that many star players of both the National and American Football 
	Leagues had not attended the “usual” major colleges nor the smaller ones 
	that may have had a local reputation for “good football.” Certainly it may 
	be safe to presume that “Grambling” was the primary reference for the casual 
	college football fan’s interpretation of “Black College Football,” 
	especially with more alumni in the pro ranks in 1969 than any school other 
	than the hallowed Notre Dame. The documentary film “100 Yards To Glory” 
	brought Grambling’s pipeline to professional football before the public eye 
	and the national broadcast was a hit in large part because its producer, the 
	brash Howard Cossell was also its “front man,” Grambling may have become 
	synonymous with “Black College Football” but there were many schools that 
	made up the collective term and each had a lengthy history of its own and 
	often, a lengthy history of excellence.
 
	
	 
	
	
	As African American 
	players began to play a greater role in their team’s success, professional 
	football scouts like Lloyd “Judge” Wells with the Chiefs and Bill Nunn with 
	the Steelers literally mined the Historically Black Colleges, bringing the 
	signatures of some of the game’s greatest players to their respective teams. 
	Wells success earned the AFL the reputation of having given black players 
	what was perhaps their first fair chance to enter professional football. As 
	more black players earned star status, the football public noted that there 
	were in fact  numerous Historically Black Colleges with very good teams and 
	very good players. Alcorn Agricultural & Mechanical College in Lorman, 
	Mississippi,  renamed Alcorn State and granted full university status in 
	1974 was one of these and they were usually quite competitive. Though 
	fielding teams since 1922, it was the Braves entry to the Southwest Athletic 
	Conference in 1962 that brought it onto a larger national stage. However it 
	wasn’t until Marino Casem took the reins as head coach in 1964 that the 
	Braves made a splash that brought true national recognition.  Casem, a 
	member of the College Football Hall Of Fame, came to Alcorn after one season 
	as head coach at Alabama State and remained in Lorman through the 1985 
	season. In those twenty-two years he earned the nickname “The Godfather Of 
	The SWAC” which was eventually shortened to “The Godfather.”
 
	
	 
His impressive record included four Black 
College National Championships, seven Conference crowns, and an undefeated 1984 
squad that was ranked number one in the nation at the Division 1AA level.  
Famous for his enthusiasm, flamboyance, and oft-repeated quote, 
"On the East Coast, football is a 
cultural experience. In the Midwest, it's a form of cannibalism. On the West 
Coast, it's a tourist attraction. And in the South, football is a religion, and 
Saturday is the holy day," it is sometimes forgotten that his X’s and O’s 
knowledge made him a multiple time finalist and winner of the National Black 
College Coach Of The Year Award.
 
The Alcorn State 
Braves were dressed for success at all times in their gold and purple uniforms. 
The mid-1970’s through the mid-1980’s featured a unique feather helmet design 
that did change a bit over the years, reminding one of the beautiful headgear 
worn by the Washington Redskins from 1958 through ’64. Tight end Jimmie Giles 
and secondary mates Roynell Young and Leslie Frazier were among the Alcorn State 
Braves who had the privilege of wearing the feather helmet. Giles starred in the 
NFL for thirteen seasons, most with the Buccaneers while Young became the 
Braves' initial first round draft choice. Frazier of course was a member of the 
1985 Chicago Bears Super Bowl team and is currently the head coach of the 
Minnesota Vikings.
 
	
	Among an array of beautiful and unique uniforms worn by Historically Black 
	College teams throughout the 1970’s and ‘80’s, the gleaming gold helmet with 
	a purple and white feather that extended from approximately two inches above 
	the wildcat sweatband to the rear border of the helmet shell was one of the 
	best. An outstanding design, the purple and gold combination carried Casem 
	and the Braves through many successful seasons much to the delight of their 
	fans.